Joan found herself tracing patterns with her spoon upon the tablecloth. “But you have won now,” she said, still absorbed apparently with her drawing, “you are going to get your chance.” The question troubled her. It struck her with a pang of self-reproach that she had always been indifferent to her mother’s illness, regarding it as more or less imaginary. “It was mental rather than physical, I think,” she answered. “I never knew what brought it about.”!

Space did not allow of any separation; broken Frenchmen and broken Germans would often lie side by side. Joan would wonder, with a grim smile to herself, what the patriotic Press of the different countries would have thought had they been there to have overheard the conversations. Neither France nor Germany appeared to be the enemy, but a thing called “They,” a mysterious power that worked its will upon them both from a place they always spoke of as “Back there.” One day the talk fell on courage. A young French soldier was holding forth when Joan entered the hut. Phillips’s entrance saved the need of a reply. To the evident surprise of his wife he was in evening clothes.

Niel Singleton, or Keeley, as he called himself upon the stage, was quite unlike his sister. He was short and plump, with a preternaturally solemn face, contradicted by small twinkling eyes. He motioned Joan to a chair and told her to keep quiet and not disturb the meeting. She saw the ditches, like long graves dug for the living, where the weary, listless men stood knee-deep in mud, hoping for wounds that would relieve them from the ghastly monotony of their existence; the holes of muddy water where the dead things lay, to which they crept out in the night to wash a little of the filth from their clammy bodies and their stinking clothes; the holes dug out of the mud in which they ate and slept and lived year after year: till brain and heart and soul seemed to have died out of them, and they remembered with an effort that they once were men. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.